ETP Contest, First Place: "Sukiyaki" by Linda Parsons Marion + Japanese Hot Pot

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It's contest week on Eat This Poem! After months of review, I'm excited to be announcing the first place winner of the inaugural ETP contest and share the accompanying recipe.

I read this poem three times before moving on to the rest of the pile. The words are striking in a raw, emotional way, at times violent and unforgiving. The story of marriage and divorce, and of tasting new flavors, was complex, not unlike the soup at the core of this poem. Linda Parsons Marion's poem is a testament to the power of food, memory, and the ties that bind us together. I hope you'll be just as moved and inspired as I was. 


SUKIYAKI

by Linda Parsons Marion

My stepmother stirs swift tides of sesame
and soy, strange sea bubbling dark. Nights
she rocks that samurai blade, flank or roundsteak
soaking the drainboard, a brace of greentailed
scallions hacked headless. Taught the ancient ways
by her brother’s war bride, who shadowed him
to Tennessee with eyes downcast, she sugars the beef,
dipped in egg beaten bright as rising suns. Raised
on Boyardee and La Choy, I enter her kitchen
like a bamboo grove, part paradise, part unknowable,
exotic as distant Osaka. From one slippery shore
to another, my mother’s cold shoulder to the steam
of ribboned onions, red meat cut on the bias.
Ricebowl filled, I ladle an extra sorghum-slow
syllable, suk-i-ya-ki, my tongue trying new salt.

First published in A Tapestry of Voices: The Knoxville Writers’ Guild 2011 Anthology, 2010. Reprinted with permission from the Knoxville Writers' Guild.


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Q&A With Linda Parsons Marion

Tell us a bit about the genesis of the poem and what compelled you to write it.
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I wrote “Sukiyaki” for an anthology published by the Knoxville Writers’ Guild whose focus was diversity, A Tapestry of Voices (2010). I wanted to continue exploring the food issues in my childhood regarding my mother and stepmother, with an added layer of ‘foreignness.’ I’d begun this exploration in my second book, Mother Land, with the poem “Mother Wars,” about my mother’s homemade macaroni and cheese and my preference (at that time) for Kraft mac ‘n cheese, used by my stepmom. Oh, how things have changed! I was drawn to the modernness and comfort of my stepmother, who was twenty when she married my father and is only thirteen years older than I. She loved to play and offered me the peace and refuge of a ‘normal’ homelife when I visited on the weekends. My mother suffers from bipolar disorder, an illness no one understood in those days (1950s-60s), least of all a child torn between two worlds.

"Sukiyaki" is a poem that evokes a vivid memory. How many years passed between the experience of trying sukiyaki for the first time and writing the poem? 

Close to fifty years! I left my mother at the age of eleven to live with my dad and stepmother. I remember my stepmom making the dish after I was with them full-time. Her brother served in the Navy right after the war and married a Japanese woman, but the sukiyaki is the only Japanese dish I recall her making.

The poem depicts moving from one existence to another—mother to mother, culture to culture (Japan to Tennessee), familiar to exotic, uncertainty and fear to security, taste to taste, etc. The strangeness of sukiyaki, the dish and the name itself, illustrates my stepping into a new life, still feeling the guilt and angst of leaving my mother behind—that “slippery shore” I navigated, “part paradise, part unknowable.”

For someone raised on Chef Boyardee and La Choy, Japanese flavors must have been a shock to the palate. Did you take to the cuisine right away?

As I said, the sukiyaki symbolized the ‘newness’ I entered when I moved in with my dad and stepmom. How would I embrace this change? How would I begin again (especially during the rocky years of adolescence)? As for the dish itself, I most remember the saltiness of soy and the wonderful scallions and rice, but the soy sauce wasn’t that different from the Worchester we poured on our steaks! Salt, salt, salt. My dad was a traveling salesman and, when he returned home on the weekends, he wanted his beef—roasts, T-bones. Even so, all of my parents (and I) were raised on—and still love—traditional southern dishes like chicken and dumplings, fried fruit pies, cornbread, homegrown tomatoes, pintos, green beans cooked to death with fatback (but oh, so good), etc.

Download the anthology to read the rest of Linda's interview. 

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Japanese Hot Pot

Adapted from White on Rice Couple

Serves 4 to 6

Sukiyaki is a type of nab, or Japanese hot pot. Traditional recipes include thinly sliced beef and vegetables like mushrooms and green onions simmered in a flavorful broth of sake, soy sauce, and sugar. It is often served with a beaten egg that the vegetables are dipped in before eating, and is endlessly adaptable depending on the ingredients accessible to you. Essentially, it's Japanese comfort food. 

This post from White on Rice Couple is a very comprehensive overview of Japanese hot pot cooking. Reading their description of the method reminded me of Italian minestrone in the sense that there are some general guidelines worth noting, but improvisation is encouraged. To this end, I made adaptations to suit my taste, and hope you feel inspired to do so as well. The ingredients below are easily adaptable, and you can serve your broth with white rice or soba noodles. 

Vegetable oil
3/4 pound grass fed sirloin, thinly sliced
4-6 shallots, peeled and thinly sliced
1 Napa cabbage, halved lengthwise and sliced
4 scallions, sliced into 2-inch pieces
5 to 6 large Shiitake mushrooms, sliced
3 to 4 ounces bunapi mushrooms
4 cups vegetable stock
1/4 cup Japanese soy sauce (use the best you can find)
1 to 2 tablespoons sugar
1 bunch watercress
Cooked short grain white rice for serving

In a 5-quart cast iron stock pot, warm the pan over medium heat and add 1 tablespoon of oil. Add the beef slices in a single layer (as best you can), season with 1/2 teaspoon salt, and brown each side; place in a large bowl.

With the pot still on medium-high heat, add 2 tablespoons of oil, then add the shallots, cabbage, and scallions. It will take only a minute or two for the cabbage to wilt and the shallots to brown in places; reduce the heat to low and add the mushrooms. Stir to coat, season with 1 teaspoon salt, and cook for 3 to 5 minutes. 

Add the stock, sugar, and soy sauce, and gently place the beef back in the pot; simmer for 10 minutes. Place the watercress on top, then cook 1 minute more, until just wilted. Place rice into bowls and ladle soup over the top.

What I'm Reading | September 2013

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Happy fall! The seasons changed on September 23, finishing up a season of tomato love, Los Angeles heat waves, and popsicle eating. Here are a few things that caught my eye this month. 


10 great poems and the paintings that inspired them

Netflix for books has arrived. 

Bringing your lunch to work just got more exciting

If famous writers had Instagram.  

On poetry's use and uselessness.  

Some of my favorite bloggers just announced book deals! Rachel and Tara, I can't wait.

This needs to be part of my fall baking routine. 

Another new-to-me blog from a fellow LA resident, all about healthy eating. 

"Poetry is not just a reflection of physical experience, or an exercise in creative expression. It has the power to transform, in that it bears witness to a transcendent order. For Heaney, the very existence of poetry stands against the idea of an empty, meaningless life." -Ethan McCarthy on Seamus Heaney

33 of the most hilariously terrible first sentences in literature history.

I'm smitten with most recipes from Nigel Slater, and this one is perfect to kick off fall braising.

Pickles, anyone? 

Pretty little mug for afternoon tea. 

"Leaving Lisbon" by Kara Arguello + Beet Vichyssoise

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I was angry at Anne Sexton for several years. She didn't even want to write poetry!, I exclaimed to my creative writing teacher. It didn't seem fair for such beautiful language and composed poems to come from the mouth of a woman who started writing poetry as a suggestion by her therapist. To a 16-year-old, it seemed like she didn't even have to try, that there was no struggle involved, and that simply by hovering her pen above the paper, full poems were formed. Of course, I came to understand the depths of her personal struggles much later, but will never forget being handed her Collected Poems after class one afternoon. My teacher thought I could learn something from her.

Confessional poetry, like the work of Anne Sexton, Sharon Olds, and Sylvia Plath, sustained me during the turbulent teenage years. My own poetry was a web of images, stream of consciousness, themes I didn't fully understand. It came from dreams. I didn't know where to root myself so I wrote everything that came to me. 

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In college, my poetry softened. It became more purposeful, more tailored (why use seven good metaphors when one will do?), and more inspired by landscape, particularly that of the central coast where I lived at the time.  

Robinson Jeffers and Elizabeth Bishop occupied space on the shelf now, and when I read "Leaving Lisbon," it conjured up memories of my time studying abroad in Europe, when I took weekend trips with my roommates to places like Dublin and Seville. Immediately, I was transported, wanting nothing more than to zip my suitcase, board an airplane, and wake up in Lisbon. Preferably with a view of "local laundry on the line" from my window. Marinated sardines will do for lunch, or octopus carpaccio, I'm not picky.  


Leaving Lisbon

by Kara Arguello

Lisboa, obrigada for dried codfish dabbled in piri-piri,
its papery white-pink a flutter of local laundry on the line.

Thanks too for rocket, so much sexier than arugula,
and for beet vichyssoise, which deserves bright 
banners and a brass band up Rua de Augusta.

I salute marinated sardines, who wear passion fruit 
life vests and raise the watercress flag, aboard 
a toasty boat barnacled with tapanade.

Serenade the scallops who sport many petticoats
like the women of Nazare – bright skirts of salmon roe,
puree of English peas, light curry foam.

Wave both arms to octopus carpaccio, a translucent layer
mandolined from Bairro Alto’s purple-white mosaic tiles, 
peppered red like its bridge across Rio Tejo,

untangle tongue and lips from the Vinho twins – bubbly 
Verde and throaty Tinta – ladies, our time went too fast.

Sing fado for molten espresso and dark chocolate truffles
served near the refurbished turntable in a hipster gelateria,
a song of bittersweet, of longing celebration.

Printed with permission from the author. 


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The final two words, "longing celebration," are a perfect ending, like the last bite of a rich chocolate gelato. For a recipe pairing, there were many choices, but I gravitated to the beet vichyssoise. I happened to read this poem during the summer, on a particularly warm weekend, and once the thought of a cold, creamy soup entered my mind, I could not be persuaded to made anything else.

I made Julia Child's vichyssoie several years ago when my parents had come over for lunch. It was served in martini glasses, the only time I've ever used them. Clearly, martinis are not my cocktail of choice. I remember the sweetness of it, the bite of the chives, how its chill coated my entire mouth. 

I haven't made it since. Isn't that always the way? We have transcendent moments with food, then replace them with new memories as quickly as ever. I'm glad this poem transported me back, and lacing it with beets seemed like a marvelous addition. 

Vichyssoise is really an exercise in simplicity. Potatoes, leeks, milk, chives. Very little is required. I wanted to maintain an elegance, and chose pink beets instead of red in the hopes it would provide a more mellow, layered flavor, which it did. Fearing red beets would be too assertive, choosing pink offers a sweeter, more subtle earthiness that doesn't overpower the leeks. Unfortunately, I hoped the beets would also impart of soft pink hue, but as they roasted, the color actually mellowed quite a bit, so you won't notice the trace of beets until your first bite. So it goes.  

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Beet Vichyssoise

On account of its richness, you can get away with serving a smaller amount of soup to more people. This would make a wonderful first course for a late-summer dinner party. 

Serves 4-6

3 pink beets
2 leeks, rinsed clean and roughly chopped
2 Yukon potatoes, chopped
3/4 cup whole milk
3/4 cup water
2 teaspoons salt
1/2 cup heavy cream
Chives for garnish

Preheat the oven to 450 degrees. Chop off the beet greens and most of the stem, and wrap each beet individually in foil. Bake for 1 hour. When the beets are cool enough to handle, rinse under cold water and rub the skins away with your fingers; roughly chop. 

Add the beets, leeks, and potatoes to a stock pot. Pour over the milk and water, and add the salt. Bring to a boil, then simmer for 15 to 20 minutes, or until the potatoes are easily pierced with a fork. 

Transfer the soup to a blender (in batches if necessary), and puree until smooth. Push the soup through a sieve before returning to the pot. This extra step will ensure the soup is perfectly silky. Add the cream and stir to combine. If the consistency is still too thick, add a touch of water. (You want the finished soup to have the consistency of heavy cream, but be more dynamic and layered in flavor.) Chill for at least 1 hour. 

Before serving, taste the soup again and add more salt if needed. Garnish with chives.