[BOOK ENDS] Introducing the Cover of Eat This Poem + Pre-Orders!

 
Pre-Order on Amazon!

Pre-Order on Amazon!

 

Book Ends is an occasional series where I share insights about the cookbook writing process. For even more, subscribe to my newsletter.


In the life cycle of a book, there are many milestones. Some are small, like finishing a chapter, or settling on just the right sentence. Others are large, like signing your publishing contract. I believe they should all be celebrated with a glass of champagne.

I often talk about milestones because when you consider your writing careerhopefully one that spans many years and even decadesquiet moments are common. There are more days spent choosing the right word, receiving an email from a reader, or attaching your poems in a submission email (or receiving rejection letters) than finishing book proposals or giving readings. 

The big moments are exciting. They provide momentum to keep going, certainly. But it's how we devote ourselves to the time in between that the life of a writer is really made.

I'm currently in a season where big moments come in more rapid succession. This, after three years of relative calm, testing recipes and working on chapters bit by bit, until a whole manuscript appeared. Now, we've only six months to go before Eat This Poem arrives in bookstores. And you can pre-order it! (I'll be writing more about pre-orders in a bit, because they're HUGELY important.)

I'm also taking a final look at the proofs, with pages designed and illustrated by a very talented artist named Cat Grishaver. You can get a sneak peek in this video.

And the cover!! What do you think? I smiled ear to ear when I opened up the email with draft art a while back. I wanted something timeless with a touch of whimsey, and I think this is exactly right. 

I hope you love it!

[Book Ends] My biggest cookbook fear


Book Ends is an occasional series where I share a bit about the cookbook writing process. For even more behind-the-scenes details, plus weekly inspiration for your writing life, subscribe to the newsletter.


I know things are hectic when an entire week goes by and I realize, on Friday afternoon, I never made a cup of tea. It has been one of those weeks, repeatedly, since the end of May, and for reasons almost entirely outside of my control. Such is life, right? 

It had been some time since I sent in my cookbook revisions, and in early June, a yellow padded envelope arrived from my publisher. My book was inside, copyedited. (Big sigh.) One version was printed with the tracked changes, the other without, and I’m currently in the process of reviewing all the notes and making a few final changes before sending it back. The polite letter stacked on top strongly warned this would be the last opportunity to make any significant modifications, for once the book enters the design stage, there’s no going back.

Some authors might be terrified of this kind of moment. A few years ago, I probably would have been, too. But this book has been such a long time coming, I can’t help but feel relief and enthusiasm, mostly.

The last time we talked about the book, I told you the most surprisingly thing about editing was the difficulty of getting back into the swing of things. I had emotionally detached myself after sending the manuscript in, and was basically asked to jump in all over again. A few of those feelings surfaced again for this round, but not as strongly. In fact, I’ve been really delighted by the whole process.

You see, this writing life is often a struggle. Even when we declare ourselves to be writers, when we are actually writing, and feel compelled by a story that needs telling, we still doubt. We still question ourselves. 

But then we have a moment. It might be an hour, or a day. The length of time doesn’t matter so much as the feeling of being entirely happy about our writing.

We need these moments to keep going.

One fear I had about book writing is that because the path to publication is quite long, I was concerned that by the time the book arrived in my hands, I wouldn’t love it as much. I would have moved on from the poems and recipes, or disliked my writing. All the self-doubt was swirling around and around.

But I don’t fear this anymore, because re-reading my copyedited manuscript has filled me with a lot of joy, and even some pride. I’ve worked on this book for almost four years. I’m really, really proud of it. I’ve put my best work inside. I’ve saved stories for these pages. I’ve made the recipes more times than I can count. I’ve created what I hope to be a sacred conversation between me and everyone who reads it. The poems are meaningful, and moving.

Writers, we need these good feelings. It is not selfish or indulgent to be proud of our work. It is a reminder of the goodness writing brings to our lives.

So even in the midst of my sideways spring, during a week I didn't drink one drop of tea, I sat down at my dining table and spread out the manuscript. I was reading only the poems, matching them to the original printing, to check for errors. I flipped three pages aside, then realized this was the type of task absolutely perfect for tea. And I finally turned my kettle on and let the water boil, and I passed the time, poetry swirling in my heart, finally glad about something.

[Book Ends] What a manicure has to do with cookbook writing

Risotto Cakes.jpg

Book Ends is an occasional series where I share insights about the cookbook writing process. For even more, subscribe to my newsletter.


Four hours after sending the finished manuscript to my editor, I walked to the little nail place in my neighborhood for a manicure and pedicure. Before Henry was born, pedicures were something of a regular indulgence for me. Manicures, less so, mostly because of cooking. It never seems worthwhile to bother with a manicure when I cook so much. 

This week, on the other hand, was different. For the past eight weeks the last major writing push was underway, including wrangling 50+ recipe testers to help (more on that later). This meant most nights included something from the cookbook for dinner. It also meant I kept a ruler on the counter to provide accurate measurements, and my small measuring spoons were used consistently for every meal. 

Hitting "send" on this very important email meant one thing. Well, two things. First, of course, this is really happening!! A huge milestone in the life of a book was reached, and I couldn't have been more thrilled.

Second, it was a small breath of freedom to return to the kind of cooking I do every day:  intuitive cooking. This means adapting a recipe if I want to, baking a sweet potato and calling it dinner, and not measuring salt. In short, my hands would not be nearly as busy for the next few days, so I decided a manicure was very much worthwhile this time around. 

It also afforded me a couple of days to do something I haven't done in months: read the New Yorker.

I'm well aware that six months pregnant may not have been the best time to launch a new subscription. I was excited, though, and when the first few editions arrived I read them in the evening before bed, and even aloud as Andrew occasionally rubbed my feet. It felt like bliss. Then I had a baby, and my dreams of keeping a contained, almost non-existent magazine pile were dashed.

Having a baby certainly changes the amount of productive time you have in a given day. Also, your definition of productive is sure to change from something like "I put together a presentation for work!" to "I put together a load of laundry... that's washed, but still needs to be transferred to the dryer!" 

Some might find this frustrating. And yes, I've had my moments, especially with a book deadline looming, but in some ways it makes my spare time all the more valuable. I must be extra picky with how to spend my time. This isn't a new concept to me, though.

As an introvert, I've long felt my energy stores dwindle at the expense of small talk, mundane tasks, or non-valuable social activities like loud cocktail hours. It's who I am, and I know it and love it. It means I'm less giving of my time, which may seem selfish to non-introverts or someone who doesn't know me personally, but if I'm not going to get value out of an experience, or if I'm going to be forced into small talk situations void of meaning, count me out.

So when I have free time nowadays, which mainly consists of brief windows of time (a spare 10 minutes or 30 minutes here and there), I act fast. The laundry in the dryer? Folded. Email in my inbox? Answered. Teeth brushed? Check. Sometimes, though, I just take a nap.

Of course, you don't need to have a baby in order to learn this kind of lesson, but it does help.

Aside from less time to read magazines, there's also the matter of getting dinner on the table. I've mentioned before how it can now take upwards of the entire day to make dinner. This isn't because I'm being overly ambitious, either, and making three courses or utilizing all my pots and pans. No.

It's because Henry's schedule is still unpredictable and I never know how much time I'll have when he falls asleep. To offset the inevitable, I try to prep the night before, once Andrew gets home. Or on Sunday I'll make pesto and curry paste and puree a soup. Whatever can be prepped to help with dinners during the week, I'll do it. (If I'm not napping, see above.)

This rambling is all to ask, what do you do with the time you have? Where are you putting your efforts and giving your energy?

I like to sit with this question every so often because it's easy to get caught up in things that don't matter, both at home and at work, and helpful to  focus on the things that do, like spending more quality time with friends, changing a routine, reading more and watching less television, or yes, even firmly sticking to my cross-the-street-so-I-don't-have-to-make-small-talk strategy. Conserve, conserve, conserve. 

This goes for cooking on occasion, too. After the flurry of final testing and writing, I needed a break, and for almost an entire week my manicure remained pristine enough to remind me it's not only acceptable to put down my pen and close my laptop, but that resting is an entirely non-negotiable and necessary component to being a writer.